My video game poetry book has a title…

It’s official!  My chapbook of video game poetry, forthcoming from Manawaker Studio, will be called Extra Lives in Verse.  My publisher just sent me the proof of the interior yesterday, with the poems nicely formatted along with some extra visual touches he added here and there as a lovely surprise.  If I do say so myself, it looks gorgeous!  It doesn’t have a cover yet. That’s the next step. 

Once in a while I’ll have a writing project where I get a little emotional seeing it in the publisher’s format for the first time.  Especially when it comes to stories or poetry I’ve worked on for years and years (have I mentioned I’m a slow writer?).  This is one of those projects.  It’s a simple thing, seeing it in a new font, in a pdf, labeled as a proof, but after having written and read and re-read the words in my working document for so long, it makes it feel almost brand-new, and it’s so validating.  Then later, seeing my work released out into the wild, available to readers?  That’s just the best. 

Weavings and Unweavings – a poetry reading at Parallel Worlds

If you’re in the Portland area on Tuesday, Oct. 6th, I’ll be joining Brian U. Garrison and Haley Bossé for a reading hosted by Parallel Worlds Bookshop.  The event, Speculative Poetry: Weavings and Unweavings, begins at 6:30pm and is free to attend.  I’ll read an excerpt from The Inca Weaver’s Tales as well as from a forthcoming book of mine—or two…

I hope you can come, enjoy some cool poetry, and support the bookshop! 

From the event page

“Join us for an evening of speculative poetry featuring three local poets whose work explores imagined futures, fantastical worlds, identity, ecology, resistance, and everything that poetry can make strange and luminous.

Brian U. Garrison, Katherine Quevedo, and Haley Bossé will each take the floor for a featured reading, with their books available for purchase throughout the evening.

Come discover poetry from the speculative edges.”

Three book covers, Micropoetry for Microplanets by Brian U. Garrison, The Inca Weaver's Tales by Katherine Quevedo, and Aurora Comes Online by Haley Bossé, against a dark background, with the event title Parallel Worlds Speculative Poetry Night: Weavings and Unweavings.

“Shades of Bruises and Blood” published in Trollbreath Magazine

My fantasy story “Shades of Bruises and Blood” is available now to subscribers of Trollbreath Magazine in Issue 9; it’ll be available to all on the Trollbreath website later on, but if you don’t want to wait, please consider subscribing. 

Yesterday I attended a panel at Worldcon about tropes.  They talked about how, if you’re going to draw upon tropes (including to subvert them), it helps if you actually have affection for that trope. 

“Shades of Bruises and Blood” is my love letter to my favorite trope of all time: the Enemy Mine.  Named after the Hugo and Nebula Award-winning novella by Barry B. Longyear, this trope has stirred something deep within me since childhood.  I always loved the episodes of cartoon shows where the good guys and bad guys had to team up for whatever reason.  What kind of alliance would they forge?  How would the dynamics play out?  What about the status quo they’d so surprisingly disrupted?  I didn’t have the vocabulary to express my curiosity like this back in those days, but I felt it.  As Aristotle once wrote, “A common danger unites even the bitterest of enemies.” 

I went on to read Enemy Mine and watch the film adaptation, both of which made me weep.  Then came the novel The Eagle of the Ninth by Rosemary Sutcliff and the film adaptation The Eagle.  Yes, I even watched the movie Hell in the Pacific, which purportedly helped inspire Longyear’s novella. 

All that to say, I took my job very seriously when I finally felt ready to tackle this trope.  I’ve sort of flirted with it in my other work, but this was the first time I made it so overt.  I tried to pour a lot of myself into these characters and their predicament, even though they’re quite different from me at a surface glance.  We all carry depths.  We all carry the tools to connect, if we choose to wield them. 

Worldcon 2026 – Day 4

Today was again full of stimulating and inspiring panels to attend.  I may have pushed it a bit far, especially after so many days, because my energy was flagging by the end.  Thankfully I had a lovely meetup with Rachel Unger to cap off the day.  And prior to that, I found some more of “my people” at a panel when we realized we all love to write hard-to-classify short stories.  And what a small world, it turns out one of them, Z.D. Dochterman, has a story coming out in the same issue as I do of Trollbreath Magazine

There’s a bit more tomorrow, but I think that’ll do it for my Worldcon recaps this year.  I really appreciate all the volunteers who worked hard to make this con happen.  I have lots of notes to revisit, recommendations to look up, and neglected emails to respond to. 

I’ll be back soon with an update on my latest story. 

Blue sign surrounded by palm trees in front of Anaheim Convention Center advertising LAcon V, the 84th World Science Fiction Convention

Worldcon 2026 – Day 2

This morning’s Stroll with the Stars was fun, despite Anaheim being hotter and more humid than usual, according to the locals.  Our guide, Dr. Deb, even took us to see some dragons! 

Crowd looking at metal dragon sculptures in front of a stone wall.

My first panel, the Anti-genre Round Table, gave me lots to reflect on.  I also enjoyed attending my friend Rachel Unger’s reading, full of lovely and eerie descriptions. 

My big sis drove up from San Diego, and together we braved the Friday night crowd at Downtown Disney.  Another dragon sighting! 

All right, I’ve got three panels tomorrow, so I’m tapping out for tonight. 

Worldcon 2026 – Day 1

I enjoyed filling today with attending panels and taking lots of notes.  And seriously, what better way to cap it off than a lunar eclipse?! 

I’ll leave you with an excerpt from my poem “The Night Our Mama Moon Fell Prey (Lunar Eclipse)”:

“…See

her crimsoning. See the hunter-bite

creeping across her flushed face,

the blush of dwindling stamina

and the glow of milky blood

from the midnight jaguar’s

hidden jaws…”

Worldcon 2026 – Day 0

I have arrived in Anaheim, California, for LAcon V, this year’s Worldcon! 

View of the grand plaza walkway, lined with palm trees, leading past the Hilton Anaheim hotel to the Anaheim Convention Center.

Today was a day of travel, settling in, picking up my badge, and getting my bearings. 

Selfie of author Katherine Quevedo holding her convention badge for LAcon V.

I also attended the speculative poetry salon hosted by Camille Hernandez, Anaheim’s current Poet Laureate, and featuring amazing readings by Marie Brennan, Angela Liu, Somto Ihezue, and Christian Ivey.  They were all wonderful! 

Sandwich board in the Anaheim Central Library with a blue and white planetary background, advertising the Speculative Poetry Salon Welcoming LAcon V.

We’ll see if I have the energy to keep up a daily summary while I’m here. 

My Worldcon 2026 schedule

Here’s where you can find me at this year’s Worldcon, LAcon V, in Anaheim: 

Stroll with the Stars

August 28, 2026, 8am-8:45am PDT

Meet at the hotel lobby for a leisurely 45-minute stroll around the venue. Get some fresh air, exercise, and chat with authors, editors, and artists in an informal setting. Hear about the interesting, fun, and maybe even unbelievable features of Anaheim.

Participants:  Beth Goder, Brenda Cooper, Dr. Deb, Fonda Lee, Gay Haldeman, Jeanne Mealy, Joe Monti, Joe Stech, Katherine Quevedo, Liza Groen Trombi, Barbara Hambly

Anti-genre Round Table

August 28, 2026, 1:30pm-2:30pm PDT

A round table discussing the limits of genre and how poets can cross into literary and speculative lanes with their work.

Panelists:  Christian Ivey, Betsy Aoki, Christopher Caldwell, Katherine Quevedo, Tara Campbell

Roots on the Page: Writing Shaped by Heritage

August 29, 2026, 10:30am-11:30am PDT

Explore how SFF authors use heritage, inherited stories, traditions, and ancestral connections in their work—creating speculative fiction inspired by lineage and cultural markers rather than nation-states.

Panelists:  Xu Mason, Daphne Singingtree, Darcie Little Badger, Katherine Quevedo, K. Valentin, Tracey Baptiste

Chapbook: The Poetry Mixtape

August 29, 2026, 12pm-1pm PDT

Many poets are first published in a chapbook or zine. This panel discusses that option over a full book collection and explores the benefits of indie and self-publishing poetry in modern times.

Panelists:  Katherine Quevedo, Andrea Blythe, Brian U. Garrison

How Videogames Inspire Writers’ Creativity

August 29, 2026, 6pm-7pm PDT

GameLit, LitRPG and other sub-genres are an outgrowth of the wild popularity of video gaming in our culture today. Even if the story is not explicitly a gaming sub-genre, modern SFF has been influenced by the excellent worldbuilding, mechanics, and storytelling of games. The panelists will discuss how the influence of gaming is impacting SFF today and sparking writers’ creativity.

Panelists:  Libby Schultz, Jeremy Szal, Katherine Quevedo, Luke Chmilenko, Matthew Cropley