I’ve just had a 13-word story published—yes, 13 words—and it’s actually my first of two stories coming out this year themed around virtual reality. You can find “Origin Story” now at the Story Seed Vault, and keep an eye out for my deeper dive into VR tech in the Ambition issue of Apparition Literary Magazine, coming out next month.
When people ask me about my writing, I often explain that I write because I can’t not write. Forgive that clunky sentence, that double-negative, but it’s so true. 2018 proves it better than any other year thus far.
2018 brought me a lot of personal issues to work through, but through the ups and downs, I also completed more story drafts than in any prior year. This shocked me when I did the calculation. A good chunk of them were short even by my standards, but still. I had to steal time for it. I had to reclaim that part of me. And I had to acknowledge the times when I could, in fact, not write, and be okay with that. I still came away with new experiences to stow for when I’m ready.
Here’s hoping for momentum in 2019—preferably without the emotional roller-coaster. And here’s wishing for health and wellbeing for all of you! May the only scares and misfortunes be found in the fiction you consume, and may the pages you read be numerous.
As an early holiday gift to my readers, here’s an illustration of my story “Venom in the Cloud Forest” drawn by my very talented friend Sambaran Chatterjee. Sambaran and I first met at orientation for our MBA program, where during a group exercise he dropped a scrap of paper that I swooped down to pick up for him. On it was what he’d call a “doodle,” which to me looked like a frame-ready work of art. Seriously. And not only is he an artist, he’s also a filmmaker.
Without further ado:
Look at the details in the shading! The power dynamics in the characters’ posture!
The story this illustration is based on originally appeared in Myriad Lands: Volume 2: Beyond the Edge and is slated to be reprinted in Pioneers & Pathfinders.
I am thrilled to announce that two more of my stories came out yesterday.
“Exchange” appears in Factor Four Magazine. This flash story stemmed from a challenge issued by one of my writer friends and was loosely inspired by my dad’s experience being the first in his family to immigrate to the U.S., when he was paired with a college roommate who remains a family friend to this day.
“My Little Sugar Plum” appears in Nothing’s Sacred Vol. 4. This horror story came about from my hopeless sweet tooth, my resulting musings about what it would be like to live inside a gingerbread house, and another challenge from my writer’s group.
Finally, my poem “Crocodilian” came out a few days ago in Civilized Beasts Vol. III, a charity anthology supporting wildlife. This poem was inspired by my time volunteering at the Oregon Zoo, where my favorite spot was at the African slender-snouted crocodile exhibit teaching visitors about this endangered species. The timing of this publication is bittersweet to me, because my family went to the zoo this past weekend for the first time in months, and while we were there I learned from a keeper that my favorite croc, Lance, had passed away earlier this year. Thanks for the inspiration, buddy, for me and others.
The Galápagos Islands. Eclectic music. Messy dorm rooms. All this and more when my story “Exchange” appears in Factor Four Magazine this fall!
Whew. It was a jam-packed trip. We went to the Rosicrucian Egyptian Museum and the Oakland Zoo. We swung by my mom’s childhood home in El Cerrito, where my family used to visit every summer, and we took my boys to a nearby park that my sisters and I used to play at. We later visited the graves of my maternal grandparents and one of my uncles.
In SF, we went to the Exploratorium and the aquarium, hung out at Pier 39, took a cable car to Chinatown, went on a boat ride past Alcatraz, walked along Lombard Street, and drove across the Golden Gate Bridge. And a huge thank you to my parents and mother-in-law for affording my husband and me some date time! He and I really enjoyed the Tonga Room tiki bar.
Lots of memories and inspiration from both Worldcon and my family travels afterward. And on the final night of the trip, I learned that I’ve sold another story! Stay tuned. In the meantime, here’s a flurry of photos.
So many wonderful experiences—new ideas to ruminate on, kind and fascinating people I talked to, and of course attending the Hugo Awards ceremony.
By going to my first Worldcon in San Jose, I feel somewhat vindicated from the fact that a Worldcon took place here while I was an undergrad in Santa Clara and I missed it. Truth be told, I didn’t even know about it at the time—that’s how clueless I was about the industry. Ah, how I’ve grown.
Speaking of SCU, now that the con is over, my family flew in to join me in the Bay Area for the next few days, and our first stop was the university campus. The Mission Gardens were lovely as always. We went into the library, which had been completely remodeled since I was a student there lo these many years ago, and we went to the viewing area to see the Automated Retrieval System, AKA the library robots!
It’s been amazing meeting authors and editors who inspire me, not to mention attending panels on a wide range of topics. One of many highlights from yesterday was meeting a fellow contributor to Triangulation: Appetites, author K.G. Anderson.
This morning before things got started at the con, I took a walk through the nearby Guadalupe River Park & Gardens and saw the Monopoly in the Park display.
Made it to San Jose. Here are a few of the sites so far:
I’m honored to have a blog post published on the Science Fiction and Fantasy Writers of America (SFWA) official blog. You can read it here:
This essay resulted from me happily falling down a research rabbit hole of empathy, A.I., design fiction, and related concepts. Here’s my research list in case you’d like to take a similar plunge:
|Adler, Nancy J.||The Arts & Leadership: Now That We Can Do Anything, What Will We Do?||2017|
|Bal PM, Veltkamp M||How Does Fiction Reading Influence Empathy? An Experimental Investigation on the Role of Emotional Transportation||2013|
|Blythe, Mark A. & Wright, Peter C.||Pastiche scenarios: Fiction as a resource for user centred design||2006|
|Bunce, Louise & Stansfield, John||The Relationship Between Empathy and Reading Fiction: Separate Roles for Cognitive and Affective Components||2014|
|Djikic, Maja & Oatley, Keith & Moldoveanu, Mihnea||Reading other minds: Effects of literature on empathy||2013|
|Dourish, Paul & Bell, Genevieve||“Resistance is futile”: reading science fiction alongside ubiquitous computing||2014|
|Fei-Fei Li||Opinion | How to Make A.I. That’s Good for People||2018|
|Fraiberg, A.||Fiction, business studies, and leadership: From know‐how to embracing the impossible||2010|
|Geoff Colvin||Humans are underrated||2015|
|Johnson, D. R., Cushman, G. K., Borden, L. A., & McCune, M. S.||Potentiating empathic growth: Generating imagery while reading fiction increases empathy and prosocial behavior||2013|
|Johnson, Dan R.||Transportation into a story increases empathy, prosocial behavior, and perceptual bias toward fearful expressions||2011|
|Kohei Nomura and Seiki Akai||Empathy with Fictional Stories: Reconsideration of the Fantasy Scale of the Interpersonal Reactivity Index||2012|
|Lackey, Chad||Social Science Fiction: Writing Sociological Short Stories to Learn about Social Issues||1994|
|Michael Sainato||Stephen Hawking, Elon Musk, and Bill Gates Warn About Artificial Intelligence||2015|
|Peterson, Jordan B. ; Oatley, Keith & Mar, Raymond A.||Exploring the link between reading fiction and empathy: Ruling out individual differences and examining outcomes||2009|
|Raymond A. Mar, Keith Oatley, Maja Djikic & Justin Mullin||Emotion and narrative fiction: Interactive influences before, during, and after reading||2010|
|Steven S. Taylor and Donna Ladkin||Understanding Arts-Based Methods in Managerial Development||2017|
|Sturdee, Miriam & Coulton, Paul & Lindley, Joseph & Stead, Mike & Ali, Haider & Hudson-Smith, Andrew||Design Fiction: How to Build a Voight-Kampff Machine||2016|
|Tanenbaum, Joshua & Pufal, Marcel & Tanenbaum, Karen||The limits of our imagination: design fiction as a strategy for engaging with dystopian futures||2016|